epic fantasy

The Thousand Eyes by A.K. Larkwood – Book Review

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The Thousand Eyes by A.K. Larkwood – Book Cover

A.K. Larkwood’s The Thousand Eyes has one big flaw: it marks the end of the story. With this second book, Larkwood wraps up the Serpent Gates series. Other authors might fall to their knees, thanking the heavens for such a unique and brilliant concept, stretching the series across at least five books, knowing this could be the magnum opus of their career. After all, who can guarantee they’ll come up with anything even close to this good again?

The Thousand Eyes Hisses Ominously

Orc girls in love, crazed death-worshipping cults, divine incarnations roaming the earth, and countless worlds you can literally sail between through the Serpent Gates. The setup is monumental. But where Larkwood really shines is in her depiction of gods. In The Unspoken Name, her debut novel, she introduced three deities, any one of which would elevate any fantasy novel.

A goddess of serpents, shattered into a thousand pieces scattered throughout the universe; a terrifying dragon, banished to the cold of space, burning with eternal murderous rage; or an all-knowing entity that kurking in the mysterious depths of a mountain, forever hungry for human sacrifice. These gods create a fantastic foundation for Larkwood’s series.

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Nona the Ninth by Tamsyn Muir – Book Review

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Nona the Ninth by Tamsyn Muir – Book Cover

Tamsyn Muir has taken a step forward from her debut Gideon the Ninth, which was extremely promising but quickly descended into childishness. Its sequel, Harrow the Ninth, managed to shed some of its growing pains but in return became utterly incomprehensible. With Nona the Ninth, the Australian author continues her utterly unique sci-fi fantasy series that propels necromancy into space. But it feels like a few things in this part aren’t COMPLETELY clear either. For example:

Who, where, and what?

Oh, and why?

Let’s start with the easiest question: “Where?”

Both of the first two parts were set in pretty confined locations. Even though Tamsyn Muir’s universe opens up wide, the author—who exclusively moves necromancers, otherworldly monsters, and skeletons around—shoved them all into one single place. Nona the Ninth finally steps out into the world of humans.

This fixes one of the biggest shortcomings of the first two parts. Sure, it’s fine that the omnipotent emperor of the universe rules everything through necromancy, but wouldn’t it be even more interesting to know how that affects ordinary people? Spoiler: Not well, by the way. Not well at all.

And the answer to “Where?” is: in the city of Who-The-Heck-Knows on the planet God-Knows-Where. Or somewhere like that.

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The Blacktongue Thief by Christopher Buehlman – Book Review

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The Blacktongue Thief by Christopher Buehlman – Book

The education system, as a whole, is a real pain. By the time you earn a serious qualification, you’re already neck-deep in debt. If you’re studying to become a thief, the situation is even worse. The Association of Thieves, known as the Takers’ Guild, is well aware that from this point on, you possess every skill necessary to make money. So, they’ll make you work your guts out for them. Kinch Na Shannack, the protagonist of The Blacktongue Thief, finds himself in an even worse predicament. The mysterious mission he’s forced into offers nothing but loss. However, Christopher Buehlman’s readers are in for a treat, as Kinch Na Shannack’s adventures are incredibly entertaining.

Christopher Buehlman – A Refreshing Voice in Fantasy

Standing out in the fantasy genre is no easy feat, that’s for sure. On one hand, there’s an overproduction crisis, and on the other, thanks to sites like Goodreads, it’s often the most mediocre works that gather the biggest fanbases (see: S. A. Chakraborty’s City of Brass). Yet, the multi-talented Buehlman—writer, poet, actor, comedian—has the ability to disarm readers almost immediately, particularly with his humor.

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Sword of Destiny by Andrzej Sapkowski – Book Review

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Sword of Destiny by Andrzej Sapkowski – Book Cover

Monster Slaying in a Not-So-Original World

The best thing about the second installment of Sapkowski’s Witcher series is that you can decide whether you want to continue reading right after the first two short stories. This is because the very first story in Sword of Destiny is, to put it bluntly, the weakest one, almost like an unintentional parody of itself. The second story, on the other hand, is the best, tying for first place with the last one.

Andrzej Sapkowski’s method remains the same as in the first book (see The Last Wish). The Witcher roams a rather unoriginal fantasy world, encounters various monsters and mythical creatures, while a cheering crowd behind him urges him to chop them up as quickly as possible. And the Witcher? Well, sometimes he chops them up, and sometimes he doesn’t.

Wait, Is This a Children’s Story?!

Unfortunately, the fairy-tale stereotypes once again drag Sapkowski’s book down. In the stories of Sword of Destiny, dragons hoard treasures in their caves. Okay, that was fine in The Lord of the Rings, but a few decades have passed since then. Even if we accept the premise that a dragon, this mindless beast, would first rob a few wealthy citizens before devouring them, then pack the stolen jewels into a purse with its paws—excuse me, claws—and haul them back to its cave, then sort them by carat value with a magnifying glass perched on its snout… it’s still a bit much to swallow that this monster can speak. And eloquently as fuck, at that…

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The Ruin of Kings by Jenn Lyons – Book Review

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The Ruin of Kings by Jenn Lyons – Book Cover

Exciting Opening with a Talking Dragon

Jenn Lyons’ book The Ruin of Kings begins with an exciting premise: we have a hero who isn’t going to save the world, but rather tear it apart like a kid with a piñata. At least, if the prophecies are to be believed. But let’s not get ahead of ourselves; if we’re counting correctly, this won’t happen until about 2100 pages later. Assuming the next two volumes turn out to be similarly hefty bricks. (Yep, exactly that.)

You’ll notice from the very first pages that the story in The Ruin of Kings is densely woven, as is typical of high fantasy, with an incredibly detailed background world. Almost every page includes some integral piece of background information seamlessly integrated into the text. The story is teeming with gods, mages, demons, and dragons, but fortunately, Jenn Lyons’ writing doesn’t suffer from any excessive magical antics. Magic is barely used, and the author’s commendable restraint ensures that the result doesn’t come off as ridiculous.

Oh, and there’s a talking dragon too. Yes, those don’t always turn out well. Somehow, though, it doesn’t come across as a major issue here.

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Monstress, Vol. 2: The Blood by Marjorie Liu – Sana Takeda – Comic Book Review

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Monstress, Vol. 2: The Blood by Marjorie Liu - Sana Takeda - Comic Book Cover

Stunningly Complex World

It’s rare to find a work where saving the world is at stake, yet it doesn’t quickly devolve into a predictable and monotonous clash between good and evil. Fortunately, that’s not the case in Marjorie Liu and Sana Takeda’s Monstress series (and its second volume titled The Blood).

The world of Monstress is so intricately complex that, for now, you have no idea who needs saving from whom. Arcanics, humans, ancients, gods, and cats!—each has their own goals, and amidst this intricate web of relationships, Maika Halfwolf, with her ever-decreasing body mass, pushes forward, knee-deep in blood, seeking answers to many tormenting questions. Such as: Is it good for you if a ravenous monster is awakening inside you? Or: How beneficial is it for your mental health if you’ve been trained to be a killer since early childhood?

(In the long run, probably not at all, but if someone messes with you in a thyrrian ruin-pub, both can come in handy.)

All of this is covered in the continuation of the blog’s highest-rated (8.7/10) and most beautifully executed work to date (see Monstress – The Awakening, Vol. 1).

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