Monster Slaying in a Not-So-Original World
The best thing about the second installment of Sapkowski’s Witcher series is that you can decide whether you want to continue reading right after the first two short stories. This is because the very first story in Sword of Destiny is, to put it bluntly, the weakest one, almost like an unintentional parody of itself. The second story, on the other hand, is the best, tying for first place with the last one.
Andrzej Sapkowski’s method remains the same as in the first book (see The Last Wish). The Witcher roams a rather unoriginal fantasy world, encounters various monsters and mythical creatures, while a cheering crowd behind him urges him to chop them up as quickly as possible. And the Witcher? Well, sometimes he chops them up, and sometimes he doesn’t.
Wait, Is This a Children’s Story?!
Unfortunately, the fairy-tale stereotypes once again drag Sapkowski’s book down. In the stories of Sword of Destiny, dragons hoard treasures in their caves. Okay, that was fine in The Lord of the Rings, but a few decades have passed since then. Even if we accept the premise that a dragon, this mindless beast, would first rob a few wealthy citizens before devouring them, then pack the stolen jewels into a purse with its paws—excuse me, claws—and haul them back to its cave, then sort them by carat value with a magnifying glass perched on its snout… it’s still a bit much to swallow that this monster can speak. And eloquently as fuck, at that…