
Stieg Larsson’s Millennium trilogy—better known as The Girl with the Dragon Tattoo series—put Scandinavian crime fiction on the global map in the mid-2000s. The books, which were later adapted into film and television, became so wildly popular that even after Larsson’s death, the adventures of the eccentric yet unstoppable hacker and her loyal (though occasionally unfaithful) collaborator, Mikael Blomkvist, continued. Karin Smirnoff’s The Girl in the Eagle’s Talons is now the seventh installment in the series.
The Controversial Past of The Girl with the Dragon Tattoo
What started as a crime series quickly evolved into something more. Something bigger. The protagonist, Lisbeth Salander—a woman who, even with the bed included, barely weighs 40 kilos—soon became an action hero. More than that, she transformed into a vengeful angel, a strong, independent woman who made life a living hell for the men who deserved it.
Then came the sequels by David Lagercrantz, and… well, I have no idea. In my humble opinion, Lagercrantz is one of the weakest among the ever-brooding Nordic crime authors. I haven’t been able to finish a single book of his that I picked up. Naturally, that includes the three Millennium installments he cobbled together.
But let’s see how Karin Smirnoff approaches the iron-willed, tattooed girl—who, after two decades, is undoubtedly a tattooed woman by now.


