A Scandinavian crime series that doesn’t release episodes endlessly? Finally, some peace! The protagonist of Samuel Bjørk’s The Boy in the Headlights is severely troubled but otherwise a brilliant detective. The abundance of personal issues is a mandatory foundation for every Scandinavian crime novel, although brilliant detectives are relatively rare among them; they’re more often just diligent and hardworking. Okay, granted, Nesbo’s Harry Hole is genuinely brilliant to some extent, but in return, he’s an alcoholic. Based on all this, it seems that in the case of Scandinavians, intellectual abilities are directly proportional to problems—well, you can imagine what the situation is with poor Mia Krüger.
At the beginning of each episode, the girl is either suspended or undergoing psychiatric treatment. Sometimes, if she feels like it, she wants to slash her wrists, while being a heavy alcoholic too. But she’s likable otherwise. And for some reason, dang it, they always want to fire her from her job. The devil knows why. (However, her boss, the chubby Holger, always defends her.)
The Boy in the Headlights is not your usual template crime novel, that’s for sure; because it would be good if it were! But in this book, you’re bombarded with information from five different threads simultaneously, barely able to keep up, and you feel like you could use some brilliance yourself—because without a razor-sharp mind, you are unable to keep so many characters in mind.
Moreover, these characters in The Boy in the Headlights appear so rarely that you wouldn’t even remember them if your mind, this delicate mechanism, didn’t work with above-average efficiency. But sometimes, damn it, a bunch of unknown figures still pop up! Dum them!
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