teens

Deadly Class, Volume 8: Never Go Back by Rick Remender – Comic Book Review

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Deadly Class, Volume 8: Never Go Back by Rick Remender - Comic Book

Deadly Class, a comic series with one of the most unbelievable storylines and some of the most downright unlikeable protagonists of all time, kicks off its eighth volume, Never Go Back, with an unusual opening: a lenghty drug trip.

Pls, Don’t Mess With Me, Mr. Remender!

If your protagonist is unreliable, unpredictable, unstable, a chronic backstabber, and endlessly whiny, a drug-induced hallucination is probably the last thing that will make them more relatable to your readers. Drug trips are like listening to someone describe their dreams in excruciating detail: nobody gives a damn except the dreamer. In fact, the more they share, the more irritating it becomes.

The entire first quarter of Never Go Back, which corresponds to issue 36, might as well be flushed down the toilet as a complete waste of ink.

Of course, if only a quarter of Never Go Back were just wasted space, you could count yourself lucky…

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Locke & Key: Master Edition, Volume Three by Joe Hill – Gabriel Rodriguez – Comic Book Review

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Locke & Key: Master Edition, Volume Two by Joe Hill – Gabriel Rodriguez – Comic Book Cover

A Stunning Finale at Breakneck Speed

The grand finale. No dragging things out. (In case you were hoping for more installments.) But perhaps that’s for the best, because in the previous volume, while not excessively, Locke & Key did slow down a bit when the focus shifted to everyday teenage problems. Well, there’s none of that here. Not a single panel is wasted. The conclusion hurtles forward at breakneck speed, right up to the final frames.

You start in 1775, discovering how and why Ben Locke created the keys. Then, instead of immediately stashing them in a very dark place where no one would ever find them, you jump to 1988 to find out what his descendant, Rendell—the father of the Locke kids—messed up. Now, in the present, it’s up to the kids to fix his mistakes, though it will come at a great personal cost.

The Necessary Level of Acceptance

Joe Hill is absolutely a 21st-century, deeply politically correct author. Alongside the dizzying pace of his graphic novel’s plot, he also makes sure to sensitively highlight the importance of accepting others, whether that involves race, sexual orientation, or disabilities. His father must be very proud of him from a parenting perspective. And maybe Hill feels the same about his father, the great Stephen King, given the respectful nods, like the homage to the infamous scene in Carrie.

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