“WTF!” exclaimed Thomas Mann, the author of “The Magic Mountain,” when he received the Nobel Prize in 1929—for his novel “Buddenbrooks.” Perhaps he himself thought that the story of the Lübeck merchant family Buddenbrook, spanning about three and a half generations in the mid-19th century, was not the most obvious choice for this prestigious award.
What Buddenbrooks is Not About
1, Not about Lübeck at all: You can count on one, maybe two fingers (and that might be generous) how many times the name of the city, where Mann’s family saga almost entirely takes place, is mentioned. You learn absolutely nothing significant about the city; the plot rarely leaves the Buddenbrook residence.
2, Not about trade either: If you expect the current Johann Buddenbrook to to be a 19th-century J.R. Ewing, performing various financial machinations and driving his business rivals crazy, nothing of the sort happens. The Buddenbrooks’ business principle is to only engage in ventures that allow you to sleep well at night. Boring? Not my words!
3, And there is not a single word about the German social processes of the 19th century. The characters in “Buddenbrooks” move exclusively within the wealthy upper middle classes.
