Ivanhoe by Sir Walter Scott – Book Review

England in Peril

By the year 1199, England had gone to the dogs. The knightly king, Richard the Lionheart, had left for a crusade in the Holy Land. In his absence, his corrupt and unprincipled brother John ruled in his place. Society is torn not only by unjust laws but also by the tyranny of the Normans, who had previously subjugated the Saxons. Robber knights terrorized the land, while outlaws prowled the forests… In such dire times, only a brave and noble-hearted knight could set things right—someone like Ivanhoe.

Ivanhoe by Sir Walter Scott – Book Cover

A Dash of Romance…

Sir Walter Scott, the pioneer of the historical romance genre, perhaps achieved his greatest success with Ivanhoe. The chivalric romance, deeply rooted in English literature since the Arthurian legends, provided a solid foundation for the emergence of a noble-hearted hero. And the ever-popular Robin Hood legends, passed down through the centuries, only added to the book’s success.

The readers’ emotional investment is secured by identifying with the oppressed Saxons suffering under arrogant tyranny—after all, who wouldn’t sympathize with the undeserving victims of injustice?

Of course, no historical romance is complete without a heroine—one who must be adored from afar, and, inevitably, rescued. Scott doesn’t settle for just one; Ivanhoe gives us two such heroines. Naturally, both are stunningly beautiful, but more importantly, they are also strikingly independent for the era in which they live. Cheers to strong female characters!

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Lancelot by Giles Kristian – Book Review

Lancelot by Giles Kristian – Book Cover

Giles Kristian deftly plucks Lancelot from the famous Arthurian legends and makes him the star of his own story. And why not? Lancelot is the bravest knight of the cycle, so he fits well at the heart of numerous battles, and, not to mention, he even wins the heart of King Arthur’s queen, guaranteeing both romantic drama and other conflicts.

Pure Emotions and a Dirty Dark Ages

Kristian devotes a surprisingly large portion of the book to Lancelot’s childhood, and you’d think it would make for a yawn-fest since, really, what excitement could there be in a future hero’s early years? But it completely proves you wrong. The early chapters are no less captivating than his more significant adult years. In fact, it’s the opposite. The thrill is there right from the beginning, as Guinevere appears on the island where Lancelot is raised, sparking feelings, followed by Merlin, the most renowned of druids, who amps up the tension.

Kristian skillfully brings the legend down to earth, stripping away almost all its mysticism and magic. (If there is any enchantment, it’s likely just a clever sleight of hand.) The legendary figures (or at least their names) do make an appearance, but in a much more grounded, human way, surrounded by all the filth and grime of the medieval world.

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