The Amazing Adventures of Kavalier & Clay by Michael Chabon – Book Review

The Amazing Adventures of Kavalier & Clay by Michael Chabon - Book Cover

Not So Amazing Adventures

What comes to mind when you see a book title that includes the phrase “amazing adventures”? I’d bet you’re thinking of amazing adventures. Well, those are largely absent from Michael Chabon’s The Amazing Adventures of Kavalier & Clay. Or at least they are only present in traces. The title is a classic example of (deliberately) misleading titling. The story of Josef Kavalier, who escaped to America from the Nazis, and his cousin, Clay spans about fifteen years and is a semi-family saga about the golden age of American comic book writing and the “survivor’s guilt” of those who lived through the Holocaust.

The Escapist Makes Comic Book History

So, what’s amazing about The amazing adventures of Kavalier and Clay? It’s the comic book history. (Of course, the adjective in the title of the book refers to this.) I can imagine that the early history of this classically American genre, the ninth art form, was enough to earn Michael Chabon half a Pulitzer Prize. (The other half was probably due to his humble and passionate homage to 1940s and ’50s New York.) The novel’s Escapist didn’t actually exist; the masked hero is a kind of paraphrase of Captain America, and the memorable cover featuring a punch to Hitler’s face is also connected to the latter.

The second amazing thing in Chabon’s book is the love between Joe and Rosa. After all, The Amazing Adventures of Kavalier & Clay is also a love story, and the focus gradually shifts more and more towards this aspect. But no worries, it’s a love story devoid of excess, borne with patience and perseverance, so you can’t help but root for the involved parties.

But Where Did the Prague Golem Go? And Especially Clay???

The third amazing thing is the pre-war, glimpsing Prague, with its famous golem (a massive but passive participant), a crash courses in escapology, and the increasingly suffocating presence of the Nazis.

Who doesn’t get much attention in this novel is poor Clay himself, who eventually gets relegated to a mere supporting role. Even when he does get some presence, it feels forced. (Another puzzled brow-furrowing moment considering the title.)

A Humanist Grand Novel – With Minor Shortcomings

The style of writing in The Amazing Adventures of Kavalier & Clay oddly matches the time of the story: sometimes you feel like you’re reading lines written several decades earlier. This is due to the endlessly leisurely pace, the boldly drawn-out scenes, or the meticulous descriptions of characters (or even interior spaces) who appear only for a few pages. Some people might find this frustrating, but it oddly suits the melancholic tribulations of Kavalier (and Clay), mimicking the expression of a grand novel, which, unfortunately, Michael Chabon’s work doesn’t quite reach. Nonetheless, it is still a very enjoyable read, mainly thanks to its humanistic perspective and its far from flawless but highly likable characters.

Rating: 8/10

The Amazing Adventures of Kavalier & Clay by Michael Chabon
639 pages, Paperback
Published in 2001 by Picador USA

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